I have always made dark work. My drawings were always pushed to the point of darkness, even when I thought of my pictures as being in sunlight, they appeared to others as night. I see light emerging from the shadows so much more than any other kind of light(with the possible exception of reflected light.) So pushing myself from time to time to see and make work that is high key is a challenge. Admittedly I've been doing a lot of the washed out over powered flash stuff in the last year or two, but true high key, I'm still trying to find that. In fact I have a set up in my studio right now for a high key still life that I need to work on soon--lighting and exposure is the key. I just hope I can find my way with it...its a good thing to really feel comfortable with in commercial photography and even though I know I can technically do high key work, its finding the vision in it that I'm searching for. I'm hoping to explore this idea more in the next month or so with a couple clients coming in that will be great to photograph white on white. SayerMotter Photograph by Richard Sayer.